Chad Michael Ward, 37
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MySpace Fan Count: 2k

Another stun­ning and beau­ti­fully exe­cuted photo by Chad Ward. In this photo, Bad Charlotte’s stern look con­tra­dicts her gen­tle wardrobe con­sist­ing of lace and cloth roses.

Sorry boys, no boo­bies in this photo.

Chad Michael Ward, 37
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MySpace Fan Count: 2k

You may not rec­og­nize the pic­ture, but I am sure you know his work. Ladies and Gents: Mr. Chad Michael Ward.

I really love these mil­i­tant style hats. I want one so bad. Any­one wear­ing these hats are about the buznis!

Destroy, Inc Pho­tog­ra­phy describes itself as “a group artists com­ing together to cre­ate art­work using a selec­tion of raw mate­ri­als and col­ors to cre­ate Destroy Style art­work”.Destroy Inc defi­nately pushes the bound­aries of pho­tog­ra­phy, putting real­is­tic look­ing guns into the hands of purdy girls. Bad ass.

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Though Craig finds his main area of work is in the music scene how­ever, he is heav­ily involved in “tat­too pho­tog­ra­phy”. You can find Craigs work in Tat­too Life, Front Mag­a­zine, Inked, Total Tat­too and Inter­na­tional Tat­too Jour­nal.

Here is some of his pub­lished work! Front Mag­a­zine (Both Images)

AMP (U.S.Publication)

Check back for more!

Mondo is a “free­lance fash­ion, por­trait and enter­tain­ment pho­tog­ra­pher”. Hmm…So, this is freelance.

Wow. Hon­estly, this is bad-ass pho­tog­ra­phy (and at its finest).

Michael Hus­sar on Lithium Picnic:

“Although he uses a cam­era. Make no mis­take about it, Philip is a Painter. He paints with Light…  His palette is a pris­mas rich and painterly as any Goya or Velasque­zor Vermeer.

Through the ves­sel that is the Female Land­scape, he effort­lessly estab­lishes a direct and pow­er­ful visual dia­logue with the viewer that is both voyeuris­tic and present.”

What his fans are saying:

“You are a genre unto yourself”

“Your work is truly inspir­ing. I’m left with my head spin­ning. Hats off…”

“I absolutely love your work! i swear, you can do no wrong. ”

“Abso­lutly amaz­ing! What I wouldn’t do to sit in the cor­ner qui­etly observ­ing you work!”

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